Receiving His Doctorate - October 2000
|DATE OF BIRTH:
||November 5, 1927|
|PLACE OF BIRTH:
||San Souci, Trinidad|
||Woodbrook C.M. Primary School|
Alexander's Ragtime Band (1939 - 1940)
Oval Boys (1940)
Invaders (1941 - 1967)
|CAREER: Ellie entered the dawn of the steelband era when he began beating on metal containers in 1937 at the age of eleven. He joined Alexander's Ragtime Band in Newtown and later helped organize the "Oval Boys" band in 1940. The Oval Boys later changed their name to Invaders in 1941. He made significant contributions to the growth of pan by developing many instruments of the steelband. He was one of eleven panmen selected to join TASPO as the Trinidad & Tobago representatives at the 1951 Music Festival in England. He was the lead tuner on TASPO's 3-month tour of the U.K.
In 1967, he migrated to the USA and continued tuning for many steelbands throughout the country. He became an Artist-in-Residence and adjunct professor in the Creative Arts Department at West Virginia University in 1992 where he taught the art of tuning and playing pan. In 1999, he was honored for his work in the furtherance of indigenous culture (the steelband) by the U.S. Endowment for the Arts, and received his award from President Bill Clinton at a ceremony in Washington, DC. On October 28, 2000, he received an Honorary Doctorate in Letters from the University of the West Indies at St. Augustine, Trinidad. He received further recognition in 2001 when Settlement Park off George Cabral Street in the community of St. James, Port-of-Spain, was renamed in his honor.
On April 10, 2008, a Steel Orchestra Concert was held on the campus of West Virginia University to honor Mannette for his years of service to the university. The orchestra was made up of three steelbands from the universities of Eastern Kentucky, Miami of Ohio, and West Virginia, with guests performance from Andy Narell and Jeff Narell.
- He was the first tuner to use a 55-gallon oil drum for crafting pans.
- His tenor design included 29 notes that transcended four octaves and encompassed the complete chromatic scale, from B in the first octave to E in the fourth octave. This tenor design, characterized by an F# in the center of the pan, became a standard that was used by many bands throughout the country, until the late 1960s.
- His double-second design, developed in the late 1950s, withstood the test of time to remain a standard throughout the country into the 21st century.
- 1969 - Trinidad & Tobago Humming Bird Medal Silver (for Steelband Innovation)
- 1999 - U.S. Endowment for the Arts Award for Furtherance of Indigenous Culture ($20,000US)
- 2000 - Honorary Doctorate in Letters from the University of the West Indies
- 2000 - Trinidad & Tobago Chaconia Medal Silver (for Culture)
|Compiled by Ronald C. Emrit|